DB, a co-host of the program Party at Gatsby's airing Tuesday's 6:00-8:00am, recently saw El Ten Eleven at the Constellation Room in Santa Ana on January 24, 2013. You can find her concert review below. For more from DB visit http://lepartyatgatsbys.tumblr.com/. All photos taken by Adrian Garcia, the host of 60 Cycle Hum airing Thursday's 12:00-2:00pm.
El Ten Eleven made a local stop at The Constellation Room
in Santa Ana on January 24 as part of their Winter Tour 2013, promotionally for
their October 2012 release, Transitions.
Nestled next to The Observatory, the duo managed to gather up a fairly large
crowd despite the neighboring Led Zeppelin Tribute show. This, somehow, gave
them the mindset that it was permissible for them to leave fans sitting through
two opening acts lasting close to three hours before they finally made their
appearance. However, it still proved to be a great performance, various lights
and cinematic accompaniment overall creating an intense ambiance that allowed
fans to truly immerse themselves in the post-rock stylings of Tim Fogarty and
Kristian Dunn. Dunn was continuously switching from double neck to single neck
guitars, adding to the talent that that two clearly displayed throughout the
two hour set. Dunn had a respectable on-stage presence, regularly thanking the
audience for being there and creating an energy that demanded their attention.
Fogarty, on the other hand, decided to lie back and let Dunn do the talking,
but that didn’t stop him from pounding on his drums and playing with the
synthesizer as if his life depended on it. Together, they established a
consistent rthymn with each other that one could tell they had worked on for
years to develop. The night was a success, and every song from Transitions to Jumping Frenchmen of Maid (cinematic accompaniment involving fight
scenes from old movies set the mood for this one) was performed at full
throttle. I definitely lost track of what point in their songs we’d be at
during certain moments, but the red-headed, lanky groupie dancing his heart
away reminded me, in a way, that it did not really matter. It was what was
playing right in that moment that mattered.
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